Showing posts with label Full Moon Classics Vol 1. Show all posts
Showing posts with label Full Moon Classics Vol 1. Show all posts

Saturday, November 30, 2013

The aliens just wanna rock all night
(and steal our wimmen!)

Bad Channels (1992)
Starring: Paul Hipp, Martha Quinn, Michael Huddleston, Aaron Lustig, Roumel Reaux and Victor Rogers
Director: Ted Nicolaou
Producers: Charles Band and Keith Payson
Rating: Six of Ten Stars

A disk jockey known for crazy on-air stunts (Hipp) becomes the unwitting partner of an alien who has come to Earth to abduct beautiful women via otherworldly technology, radiowaves, and rock music.

Paul Hipp stars in "Bad Channels"
"Bad Channels" is a very silly sci-fi comedy that makes fun of all the conventions of a 1950s sci-fi films but does so with a 1980s attitude. The film is driven almost entirely by a fun script, as pretty much every actor featured in the film reported for work but doesn't appear to have done much more than that. No one's particularly bad, but everyone is what you'd expect in a B-movie like this.

The film's biggest weakness is the fact that it includes three full length rock videos in it. They're all pretty decent--and the rock band performing with cheerleaders in a gym predicts a more famous effort--but they in the context of the film they go on for too long. The audience isn't looking for classic MTV-type material, but for alien abduction action.

If you've enjoyed other comedies from Full Moon (like "Hideous!"), I think you'll like this movie. You'll also like it if you enjoyed offerings from the Sci-Fi Channel like "The Man With the Loud Brain". This kind of movie making apparently hasn't evolved since the 1980s.


Wednesday, August 21, 2013

'Netherworld' has some good parts, but they add up to nothing

Netherworld (1992)
Starring: Michael Bendetti, Holly Floria, Denise Gentile, Alex Datcher and Robert Sampson
Director: David Schmoeller
Producers: Charles Band and Thomas Bradford
Rating: Three of Ten Stars

A young man (Bendetti) travels to an isolated spot of Lousiana to reconnect with the father he never knew. (Well... and to claim the massive edge-of-the-bayou property and mansion he inhertited from him.) He finds himself surrounded by stranger-than-average Southerners... and voodoo-practicing hookers. And flying stone hands. And, like the saying goes: It's all fun and games until someone gets tied to the evil sacrifical altar.


Sometimes, a low-budget horror film can survive on mood and mysterious imagery and characters alone. Take "Phantasm", for example. I love that movie, but the story makes absolutely no sense and I defy you to tell me how the movie's various elements tie together, especially since the explanation "it was all a dream" goes out the window with the shock ending.

Most of the times, however, such films are miserable failures... and "Netherworld" fits into that category. I get the sense that there is an idea somewhere buried under all the crap here, but that writer/director David Schmoeller was either too lazy to develop it properly or too full of his own artisticality that he forgot to make a coherent film. Or maybe the producer meddled too much... or meddled too little. This film doesn't warrant the research it would take to find the answer.

The film has plenty of strange characters and creepy imagery--much of which actually feels like it was copied badly from the aforementioned "Phantasm--but the various parts of the film barely connect and when they do, they make no sense. And Schmoeller simply isn't good enough enough to make a movie that can survive on atmosphere alone, even when he's cribbing from a film that got it right. He should have explained how the voodoo hookers fit in with the lawyer and the house keeper; who is ressurecting people and why; and he should have simply left out the stupid flying stone hand and weird midget.

"Netherworld" is a total misfire of a movie. It's astonishing that the same team that made "Tourist Trap" and "Puppet Master" could screw up so badly on this one.

Wednesday, December 2, 2009

'Seedpeople' is sci-fi horror to watch with kids

Seedpeople (aka "Dark Forest") (1992)
Starring: Sam Hennings, Bernard Kates, Andrea Roth, Holly Fields and Brad Yates
Director: Peter Manoogian
Producers: Charles Band and Anne Kelly
Rating: Six of Ten Stars

A geologist (Hennings) returns to the tiny town where he grew up, hoping to locate the legendary meteor it is named after. But the ill feelings he stirs up on the part of an ex-girlfriend (Roth) and the deputy sheriff who is her current beau (Yates) pale in comparison the fact that extra-terrastial lifeforms are taking over the hamlet's citizens and preparing for a full-scale invasion of Earth.


"Seedpeople" is not a movie you want to see if you've seen any version of "Invasion of the Body Snatchers", any version of the "The Thing" or even "Horror Express". You probably also want to pass on the film if you have read any Stephen King except perhaps "On Writing". You will find yourself thinking of other movies and books that did what this film tries to do so very much better.

You will also realize that those stories usually have points beyond "alien plant-monsters take over a tiny town", something that this film does not.

A somewhat bigger problem is the casting of 16-year-old Holly Fields as Kim, a girl who is 12-13 years old. Fields is obviously older than the part she's playing, which leads you with the impression that Kim, who is supposed to be an intelligent, tomboyish kid is retarded. There aren't many older teens who can pass successfully as pre-teens like they were hoping to do here.

However, if you are looking for a scary movie you can safely watch with the 11-14 year olds, this is the film to check out. Yes, there's some violence and a little blood as alien monsters chew on victim's faces, but it IS a scary movie after all! Kids will probably not be familiar with the superior sources this film was inspired by, and it's not as intense as those so it's something that they will be able to see without too many nightmares. (Unless they are extra-ordinarily sensitive. And if there THAT sensitive, then you need to revisit your parenting class and let the kid out of the closet more often.)
>

Monday, November 23, 2009

The Shadowzone is home to horror

Shadowzone (1989)
Starring: David Beecroft, Louise Fletcher, Miguel Nunez, Frederick Flynn, Shawn Weatherly and James Hong
Director: J.S. Cardone
Producers: Charles Band and Carol Kottenbrook
Rating: Six of Ten Stars

Cutting-edge sleep research opens a rift to another dimension... and a creature from that dimension crosses over to our. And he's not happy, nor particularly sociable. Soon, the bodies are piling up.


The art of the low-budget, B sci-fi movie hasn't changed much in the 20 years since "Shadowzone" was released. Thanks to advances in computer graphics, the way effects are done has changed, but the basic stories and how their told remain the same: Scientists explore Things Man Was Not Meant to Know and Monsters Start Rampaging. In fact, this is almost exactly the sort of film that embodies the phrase "A Sci-Fi Channel Original Picture" (or, now with more stupidity, "A SyFy Channel Original Picture"), only with better acting and better pacing than we've come to expect.

"Shadowzone" was the second feature produced under Charles Band's famous Full Moon label. Despite it's obscurity, it's one of the better ones. For wanna-be filmmakers, it's worth a look because it's a good example of how to make an effective sci-fi/horror flick on a small budget, and for the rest of us it's a nice bit of fluff that'll keep us entertained for 80 minutes.

There are aspects of the film that make little sense--the most blatant being that there is no way the in-use areas of a government facility would be allowed to be in the state of decay that the one featured in this movie is in, no matter how top secret it is--but the strong acting on the part of the cast and the well-written script will take all but the most critical viewers past that point and into the tale.


Saturday, November 21, 2009

'Arcade' is a fun, if visually dated,
kids-oriented sci-fi flick

Arcade (1993)
Starring: Megan Ward, Peter Billingsley, Norbert Weisser, John de Lancie, Seth Green, A.J. Langer, Sharon Farrell, Brian Dattilo, and Humberto Ortiz
Director: Albert Pyun
Producers: Charles Band and Cathy Gesualdo
Rating: Six of Ten Stars

Alex (Ward), a teenager who is still reeling from the suicide of her mother, discovers that the hot new computer game, Arcade, is sucking her friends into its virtual reality world, bodies and souls. As if she didn't already have enough problems in her life, she, along with her computer game wizard friend Nick (Billingsley) are the only ones able to save their friends and stop Arcade before it abducts kids all around the world. Worst of all, the only way Megan can save them is to enter the game herself, battling the evil entity on its terms.


"Arcade" is a fun low-budget fusion of sci-fi and horror that's suitable for Mom and Dad to sit down and watch with the early teenaged fans of the genre, especially the girls. It's nudity-, sex-, and gore-free, with only one or two curse words uttered during the running time. (The film was rated R when it was first released, although I'm not sure why. It's also a rating that must have hurt the flick--although that R would certainly have been magical for the age group this seems to be directed at, even if their parents shouldn't have been thrilled to see if on a film they were watching.)

The film is decently enough acted and the script is okay. The effects have an outdated feel to them in this day-and-age where even my first generation XBox is able to put better computer graphics on my TV screen, but I think anyone who has an affection for the sci-fi and horror genre won't mind.

"Arcade" has some significant flaws, however. The worst of these is a botched ending where the filmmakers attempt to get one last scare in, but end up presenting something that even the most generous viewer will consider as lame and stupid. They would have been far better off if they had taken an approach similar to the scene where Alex wakes up to find everything has only been a dream (which quickly turns out to be part of her virtual reality nightmare).

I also would have liked to see more about the company that developed the virtual reality game and the how and why of the very dark and twisted secret hiding at the center of every one manufactured. It's touched upon briefly, but more time really needed to be devoted to it. This is one of those rare films that I wish had been longer than it is.

Actually, this commonly the case with Full Moon pictures... many of them feel halfbaked because no enough time is spent developing themes and characters within their usually brief running-times. Although, there are signs that this film was at one time longer; there is a point where Alex enters a new level of the game, a little scuffed but generally okay. Then, between scenes, she suddenly develops bloody gashes on her body and bloody nose. SOMETHING happened and whatever it was ultimately ended up on the proverbial cutting room floor with Band & Company probably saying, "Eh. They'll never notice!"

"Arcade" is available on DVD in the "Full Moon Classics Vol. 1" set, which contains "Arcade" and four other films from Full Moon's Golden Age from the mid-1980s through the mid-1990s. It's a nice set--the only featured stinker is "Netherworld".