Showing posts with label Albert Band. Show all posts
Showing posts with label Albert Band. Show all posts

Tuesday, February 9, 2010

The man with a doctorate in... the unknown!

Doctor Mordrid, Master of the Unknown (1993)
Starring: Jeffrey Combs, Yvette Nipar and Brian Thompson
Directors: Charles Band and Albert Band
Producers: Charles Band and Albert Band
Rating: Six of Ten Stars

Anton Mordrid (Combs) is an unaging sorcerer who is lives secretly in the modern world, guarding Earth from demonic invasions. When the evil alchemist Kabal (Thompson) escapes from what was supposed to be his eternal prison, Mordid must turn to mortal woman Samantha Hunt (Nipar) for help if humanity is to survive.


"Doctor Mordrid" is a neat little modern fantasy film that, like a number of other Full Moon releases is surprisngly good for a direct-to-video release that dates from the early 1990s. It's got an interesting hero who acquires a cool woman sidekick in the course of the film, a villain who gives other fantasy film bad guys a run for their money, and hints at a much large, extremely interesting cosmololgy than we only get a small glimpse at in this film.

Actually, getting a small glimpse of something bigger is the way I feel about the whole movie. It feels like it should have been at least 30-45 minutes longer, and with with the scant development that's given to a number of concepts and charactes, it could easily have supported the additional running time. If all the skeletons of nifty ideas and characters that appear in movie had been more fully fleshed out, this could have been a great movie. As it is, it's okay, with decent acting and good special effects. It's worth checking out, particularly if you like movies and books like "Harry Potter" or "The Dresden Files".



Wednesday, November 11, 2009

'Robot Wars' squanders its potential

Robot Wars (aka "Robot Jox 2") (1993)
Starring: Don Michael Paul, Barbara Crampton, James Staley, Lisa Rinna, Danny Kamekona and Peter Haskall
Director: Albert Band
Producer: Charles Band
Rating: Five of Ten Stars

In 2041, decades after the Great Robot War and Toxic Gas Scare, the American Southwest has ceceeded from the Union and is at a state of war with the "Centros", a state of uneasy peace with the remnants of the United States, and a trading partner of China. When the last known surviving giant robot--now being used as an armored, heavily armed passenger transport, is hijacked--it's up to rebellious robot pilot Captain Drake (Paul) and the beautiful archeologist Dr. Leda (Crampton) to save the day by finding the burial site of the rumored second suriving combat robot, Mega-1.


"Robot Wars" is one of three movies produced by B-movie mogul Charles Band that featured giant robots piloted by humans ("Robot Jox" and "Crash and Burn" being the other two). I've wondered if they were inspired by Japanese cartoons or the then popular miniature and roleplaying lines from FASA called "BattleTech" and "MechWarrior".

"Robot Wars" answered my question for me. The costume designs and even the look of Mega-1 reminded me very strongly of "MechWarrior". Heck, the film even felt a little like a BattleTech/MechWarrior game with the robots and other technology being more interesting than the human characters.

This brief movie (it's barely over an hour long) is another example of a Full Moon picture that's too short. There is all sorts of back story that was needed for the film to be as good as it had potential for being. (What was the past history of Captain Drake and General Wa-Lee (played with sinister glee by Danny Kamekona)? It was obviously extensive, but we get to learn nothing about it. How did America disintergrate? Why do the Centros seem to be speaking something other than Spanish? These are just a few of the questions that popped into my mind as I watched the movie and I realized it was going to end without any explanations. (And some of the questions could have been answered if the script had been better. There's a scene that could have been easily been used to give us the Wa-Lee/Drake backstory, but it's instead wasted on some very unfunny jokes about how women can be horndogs, too.)

Although this is a film that's clearly made for young kids (or adults who are content if all a movie offers are neat stop-motion special effects featuring giant battle-bots duking it out and shooting laser beams at each other), I still think it could have benefitted from just a little more time being spent on developing the world in which it takes place. That could have at the very least made the film more memorable and lifted it from mediocre to okay.


Tiny terror double-feature with the Ghoulies!

Want a double-bill that's going to fill any Bad Movie night with glee, laughter and little critters behaving badly? You can't go wrong with "Ghoulies" and "Ghoulies II."


Ghoulies (1985)
Starring: Peter Liapis, Lisa Pelikan, Scott Thomson, Michael Des Barres, Ralph Seymour, Keith Joe Dick, Mariska Hargitay, Jack Nance and Peter Risch
Director: Luca Bercovici
Producers: Charles Band, Debra Dion and Jefery Levy
Rating: Seven of Ten Stars

Jonathan Graves (Liapis) discovers his father was a demonologist and decides to pick up where he left off, summoning nasty little demons to his bidding. He soon conceives of a plan that will give him ultimate power (as well as the complete obedience of his hot girl friend, Rebecca (Pelikan)), but, as always, the demons goals of their own, goals that will see the ressurection of their true master (Des Barres).


"Ghoulies" is a rollicking horror comedy that was a major hit in the mid-80s, thanks in a large part to the poster displayed above. It was also one of three movies that established the Charles Band trademark of featuring weird little creatures in his films (the other two being "Troll" and "Dolls").

It's the least of the trio, a little slow in getting started and never reaching quite the heights of wackiness as "Troll" nor delivering frights as effective as "Dolls", but it's still a fun and entertaining movie that makes great viewing for a Halloween-themed gathering.

The film's greatest flaw is that it's a bit too slow in getting started, but as it builds, you'll be able to have fun with the bizarre characters that make up the circle of friends that will eventually become ghoulie victims and demon-summoning ritual fodder. Once Jonathan puts on his demon summoning duds and actor Peter Liapis goes into Overacting Hyperdrive, the film becomes truly hilarious. Unintentional comedy, such as when an undead warlock turns himself into a sexy chick in order to lure one of the characters to his death, makes the film even funnier. (In the middle of alll the laughs, unintentional and otherwise, we also get a few genuinely creepy moments, such as when Jonathan turns Rebecca into a mind-numbed sex slave and later when it becomes aware of what a huge mistake he's made.)

"Ghoulies" is one of the best films to be cranked out by the Charlie Band Movie Factory, and it holds up nicely although it's nearly 25 years since it was first unleashed upon an unsuspecting public. it's one of those films that's the very definition of "guilty pleasure." You know it's garbage, but you still have a great time watching it.



Ghoulies II (1987)
Starring: Damon Martin, Phil Fondacaro, Royal Dano, J. Downing and Kerry Remsen
Director: Albert Band
Producers: Albert Band and Charles Band
Rating: Four of Ten Stars

Five diminuative demons, the ghoulies of the title, escape from their summoners and take up residence in a carnival spook house. Ghoulies being ghoulies, Bad Things soon start to happen.


That's pretty much all there is to the story in "Ghoulies II". Sure, we have a variety subplots (most of which don't really go anywhere interesting) and lots of stock characters, including the obligatory romance between the handsome young co-owner of the spook house (Damon Martin) and an aerialist-turned-exotic-dancer with a tragic past (Kerry Remsen) and the heartless accountant (J. Downing) who wants to shut the spook house down because it's not profitable enough, but that's of course secondary to watching tiny terrors spread mayhem and violence. Which they do, so for most of its running time, the film delivers exactly what we expect of it.

Unfortunately, the film lacks a decent ending. The basic idea is sound--and the insight it provides into where the ghoulies reside on the demonic foodchain is cute--but it lacks energy and any real sense of urgency. In fact, a lack of energy seems to be the problem with the entire film. For a movie like this to work--a film where crazy critters are running amok--it needs to build and build and get more frenetic until it reaches an explosive climax, literally or figuratively. Here, we may get an explosion, but we don't get the crazy, cartoony energy the film should have been full of. The movie's never boring, but it's also never as exciting as it needed to have been.

I've seen at least one reviewer refer to the original "Ghoulies" film as a low-rent version of "Gremlins." When I saw "Ghoulies" a week or two back. i wondered if he or she had actually watched the movie they were supposedly commenting on. Now, I think they must have seen "Ghoulies II" at some point and they were confusing the two. (So, I'm now certain the reviewer hadn't actually seen "Ghoulies" but was writing comments from memory and applying them to the wrong film.)

"Ghoulies II" IS a low-rent copy of "Gremlins." It's better than some of them that were made--like, for example "Hobgoblins," but still not very good. The ghoulies puppets are the best thing about the movie, and, since they're the real stars, I applaud the effort the filmmakers put into them. I just wish they'd paid more attention to the script and to the movie's pacing.